lithographic
Zanzibar
20th Century
Source: Reese, Scott. 'The Ink of Excellence': Print and the Islamic Written Tradition of East Africa. In Islamic Manuscripts and the Art of the Book. De Gruyter, 2022.
Recipe Details
Evidence
"Lithography or ‘stone printing’, for instance seems to have remained popular – especially in South Asia – through the nineteenth century at least in part because it enabled the creation of printed texts that looked like manuscripts."
Remarks
The article explains that lithographic printing (stone printing) was specifically chosen by publishers like the al-Halabi firm because the resulting ink application and style emulated the hand-written manuscript tradition (p. 231). This allowed for the continuation of complex layouts such as the maṭn (original text) ringed by marginal commentary (p. 231). The technology was prevalent in works produced in Cairo and Bombay for distribution in East Africa (p. 221, 231).
Scientific Analysis
Analytical Techniques
historical analysis
visual examination
Certainty Level
Inferred
Instrumentally Verified
Not Verified
Metadata
Material Type
ink
RegionZanzibar
Approx. Year1950
Source Information
AuthorReese, Scott. 'The Ink of Excellence': Print and the Islamic Written Tradition of East Africa. In Islamic Manuscripts and the Art of the Book. De Gruyter, 2022.
CollectionMaalim Idris Collection (MIC)
Language
N/A
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