red cinnabar (الزنجفر الاحمر)
Iraq
13th Century
Source: Lucia Raggetti, "Ordinary Inks and Incredible Tricks in al-ʿIrāqī’s ʿUyūn al-ḥaqāʾiq," in Alchemy in the Making, 2021, pp. 154-200.
Recipe Details
Ingredients
red cinnabar, sour pomegranate seeds, water, dissolved gum arabic
Preparation Steps
The cinnabar is ground finely and rinsed with the water of sour pomegranate seeds (p. 166). It is purified by sedimentation for one hour. The resulting suspension is ground on an impermeable or polished permeable stone slab with water added gradually until it reaches the consistency of harira soup (p. 166). Dissolved gum arabic is then added and pounded vigorously into the substance. To use as an ink, it is poured onto a silk wad (liqa) in a glass jar (p. 166).
Original Recipe Text
The cinnabar is ground finely and rinsed with the water of sour pomegranate seeds (p. 166). It is purified by sedimentation for one hour. The resulting suspension is ground on an impermeable or polished permeable stone slab with water added gradually until it reaches the consistency of harira soup (p. 166). Dissolved gum arabic is then added and pounded vigorously into the substance. To use as an ink, it is poured onto a silk wad (liqa) in a glass jar (p. 166).
Evidence
"Take some red cinnabar, grind it finely, then rinse it with the water of sour pomegranate seeds, pour water over it and rinse well, and purify it after leaving it for one hour, until [the suspension] has settled. (p. 166)"
Remarks
The text notes that the ink is applied with a hair brush when used for paints on images, resulting in a 'precious red' (p. 166). The author Abū al-Qāsim al-ʿIrāqī is also known as al-Sīmāwī (p. 154).
Scientific Analysis
Analytical Techniques
Laboratory replication preparation
Philological analysis
Certainty Level
Confirmed
Instrumentally Verified
Not Verified
Metadata
Material Type
ink
BinderAcacia gum
ColorRed
RegionIraq
Approx. Year1250
Source Information
AuthorLucia Raggetti, "Ordinary Inks and Incredible Tricks in al-ʿIrāqī’s ʿUyūn al-ḥaqāʾiq," in Alchemy in the Making, 2021, pp. 154-200.
CollectionUnknown
Language
N/A
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