red for the names of God, brown for the names of angels, and green for the names of the prophets
Nigeria
21th Century
Source: Brigaglia, Andrea. ‘Printed Manuscripts’: Tradition and Innovation.
Recipe Details
Preparation Steps
The pigments are used as colored inks within the consonantal body of the Qur'anic text, following a semantic scheme: red for names of God, brown for names of angels, and green for names of prophets (p. 314). The calligrapher also uses 'colourful decorations' and larger writing to distinguish the name of Prophet Muhammad (p. 314).
Original Recipe Text
The pigments are used as colored inks within the consonantal body of the Qur'anic text, following a semantic scheme: red for names of God, brown for names of angels, and green for names of prophets (p. 314). The calligrapher also uses 'colourful decorations' and larger writing to distinguish the name of Prophet Muhammad (p. 314).
Evidence
"his choice to use different colours in the consonantal body of the text: red for the names of God, brown for the names of angels, and green for the names of the prophets, in addition to the customary black ink used for ordinary text (Fig. 16)."
Remarks
This use of multi-colored consonantal text is described as one of the most curious innovations in the local tradition, reportedly inspired by a dream and the calligrapher's exposure to Middle Eastern editions of the Qur'an (p. 314). Despite the innovation, it is noted that the local public ('gardawa') may not accept such changes easily (p. 314).
Scientific Analysis
Analytical Techniques
visual analysis
interviews
Certainty Level
Inferred
Instrumentally Verified
Not Verified
Metadata
Material Type
pigment
ColorGreen
RegionNigeria
Approx. Year2050
Source Information
AuthorBrigaglia, Andrea. ‘Printed Manuscripts’: Tradition and Innovation.
CollectionKano, Nigeria
Language
N/A
AI Suggestions
Find similar recipes based on ingredients and preparation methods.