local

Africa
19th Century
Source: Blair, S. S. "Arabic Calligraphy in West Africa." In Jeppie, S. & Diagne, S. B. (Eds.), The Meanings of Timbuktu. HSRC Press.
Recipe Details

Preparation Steps

Illumination in West African manuscripts comprised simple designs, often drawn from textile repertory, that could be worked out directly on the surface without cartoons or templates (p. 70).

Original Recipe Text

Illumination in West African manuscripts comprised simple designs, often drawn from textile repertory, that could be worked out directly on the surface without cartoons or templates (p. 70).

Evidence

"The inks and pigments for text and illumination are also local, and there is no use of gold, a hallmark of fancier manuscripts produced elsewhere in the Maghrib."

Remarks

There is a notable absence of gold in these manuscripts, which the author calls 'ironic' given that gold was a major regional export (p. 70). Unlike Eastern or North African manuscripts, there was no clear division of labor between scribe and illuminator; the scribe often performed both tasks using local pigments (p. 70).

Scientific Analysis
Analytical Techniques
visual analysis
Certainty Level
Inferred
Instrumentally Verified
Not Verified
Metadata
Material Type
pigment
Colorvarious
RegionAfrica
Approx. Year1850
Source Information
AuthorBlair, S. S. "Arabic Calligraphy in West Africa." In Jeppie, S. & Diagne, S. B.
Collectionlocal
Language
N/A
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