watercolor, gold, red pigment, green ground, pink, black ground, ochre, gray paint
Transoxiana
15th Century
Source: Chekhab-Abudaya, M., Couvrat Desvergnes, A., & Roxburgh, D. J. (2016). Sayyid Yusuf’s 1433 Pilgrimage Scroll (Ziyārātnāma) in the Collection of the Museum of Islamic Art, Doha. Muqarnas, 33(1), 345-407.
Recipe Details
Ingredients
gold
Preparation Steps
Pigments were applied as watercolors (p. 348). A red ground with black and pink squares is used in square Kufic compositions (p. 350, 361). White pigment outlined in black is used over green grounds (p. 350). Red outlined in ochre or gold appears on black grounds (p. 350). Gray paint is used for rendering craggy outcrops of stone in landscapes (p. 353).
Original Recipe Text
Pigments were applied as watercolors (p. 348). A red ground with black and pink squares is used in square Kufic compositions (p. 350, 361). White pigment outlined in black is used over green grounds (p. 350). Red outlined in ochre or gold appears on black grounds (p. 350). Gray paint is used for rendering craggy outcrops of stone in landscapes (p. 353).
Evidence
"A thin strip of text designed in square Kufic has been severely damaged due to the corrosive effect of the pigment on the paper... The calligraphy was executed in black and outlined with a light color on a green ground."
Remarks
The green pigment used in the square Kufic borders (Section 18 and 21) is explicitly described as corrosive, leading to severe damage and 'significant losses' in the paper support (p. 354, 356). The palette shifts between sections, utilizing red on green, black on pink, and pink on green for complex geometric compositions (p. 361).
Scientific Analysis
Analytical Techniques
technical and scientific examination
Certainty Level
Confirmed
Instrumentally Verified
Verified
Metadata
Material Type
pigment
Binderwatercolor
Paper Typecream-toned paper
ColorGreen
RegionTransoxiana
Approx. Year1450
Source Information
AuthorChekhab-Abudaya, M., Couvrat Desvergnes, A., & Roxburgh, D. J.
CollectionMuseum of Islamic Art, Doha, MS.267.1998
Language
N/A
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