silver
Tunisia
10th Century
Source: George, A 2009, 'Calligraphy, Colour and Light in the Blue Qur'an', Journal of Qur’anic Studies, vol. 11, no. 1, pp. 75-125.
Recipe Details
Ingredients
silver
Preparation Steps
Silver was used for sura titles, verse markers (rosettes), and medallions (p. 89). These are considered later additions to 'modernise' the manuscript (p. 91).
Original Recipe Text
Silver was used for sura titles, verse markers (rosettes), and medallions (p. 89). These are considered later additions to 'modernise' the manuscript (p. 91).
Evidence
"Because of the chemical properties of silver, it has largely been oxidised throughout the manuscript, but it can nevertheless be studied, at least in places."
Remarks
The silver ornament consists of rosettes separating ayas and medallions in the margins (p. 89). These features appear to be complete anachronisms to the original 9th-century Kufic script and are stylistically closer to D.Va or 'New Style' manuscripts from the late 9th to 10th century (p. 89-91). Observation under UV light by Tim Stanley confirmed that these silver signs were not part of the original design (p. 90).
Scientific Analysis
Chemical CompositionAg
Analytical Techniques
ultra-violet light
Visual examination
Certainty Level
Probable
Instrumentally Verified
Not Verified
Metadata
Material Type
ink
ColorSilver
RegionTunisia
Approx. Year950
Source Information
AuthorGeorge, A 2009, 'Calligraphy, Colour and Light in the Blue Qur'an', Journal of Qur’anic Studies, vol. 11, no. 1, pp. 75-125.
CollectionThe Blue Qur’an
Language
N/A
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