colour of ink
Rome
13th Century
Source: Maniaci, Marilena. "The Medieval Codex as a Complex Container: the Greek and Latin Traditions." In Manuscript Cultures: Mapping the Field, edited by Jörg B. Quenzer, Dmitry Bondarev, and Jan-Ulrich Sobisch, 35-46. Berlin, Munich, Boston: De Gruyter, 2014.
Recipe Details
Evidence
"A systematic survey of the discontinuities shows a simultaneous change of text, support, quire structure, ruling type, layout and scribe (and also of style of decoration and colour of ink) between quires 21 and 22."
Remarks
The analysis identifies a change in ink color between quires 21 and 22 as a key symptom of physical discontinuity (p. 41). This proves that Codex Z.I.15 is not a monolithic product but an assembly of at least two distinct, contemporary units (p. 41). The manuscript contains Latin translations of works by Aristotle or his school (p. 41).
Scientific Analysis
Analytical Techniques
detection and interpretation of selected symptoms of structural discontinuity
systematic survey of the discontinuities
Certainty Level
Inferred
Instrumentally Verified
Not Verified
Metadata
Material Type
ink
RegionRome
Approx. Year1250
Source Information
AuthorManiaci, Marilena. "The Medieval Codex as a Complex Container: the Greek and Latin Traditions." In Manuscript Cultures: Mapping the Field, edited by Jörg B. Quenzer, Dmitry Bondarev, and Jan-Ulrich Sobisch, 35-46. Berlin, Munich, Boston: De Gruyter, 2014.
CollectionArchivio di S. Maria sopra Minerva in Rome
Language
N/A
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