Lustre pigment tests
Britain
21th Century
Source: Basodan, Z. (2024). Recuperating the Nasrid Palace and the Alhambra Vases in Emerging Islamic Studio Ceramics. [Thesis].
Recipe Details
Ingredients
lustre pigment, decal
Preparation Steps
The research involved testing lustre pigments before and after reduction firing on various clay bodies, including terracotta and paper clay earthenware (p. 171-172). The process explores the traditional reduction technique as a form of empirical inquiry into studio ceramic practice (p. 3).
Original Recipe Text
The research involved testing lustre pigments before and after reduction firing on various clay bodies, including terracotta and paper clay earthenware (p. 171-172). The process explores the traditional reduction technique as a form of empirical inquiry into studio ceramic practice (p. 3).
Evidence
"Figure 123. Reflections of the reduction lustre tests after firing, terracotta, (middel) decal and reduction lustre, paeper clay earthenware, (Right) 3D printed polygon and lustre, paeper clay earthenware, conducted by the author with the assistance of Ben Brierley, photos by Zelal Basodan, 2023-24."
Remarks
The author maintained an approach of self-reflective analysis, observation, and testing to produce creative work that hybridizes traditional ceramic methods with new technologies like 3D printing (p. 3).
Scientific Analysis
Analytical Techniques
reduction lustre tests
empirical method
Certainty Level
Confirmed
Instrumentally Verified
Verified
Metadata
Material Type
pigment
Paper Typeterracotta
ColorRed
RegionBritain
Approx. Year2050
Source Information
AuthorBasodan, Z.
CollectionLaboratory
Language
N/A
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