offset lithographic editions

Nigeria
20th Century
Source: Brigaglia, Andrea. '‘Printed Manuscripts’: Tradition and Innovation in Twentieth-Century Nigerian Qur’anic Printing'.
Recipe Details

Preparation Steps

Qur'ans were originally penned by calligraphers (primarily in Kano) and then reproduced using offset lithography starting in the 1950s (p. 288). This allowed the 'age of manuscript to continue under the guise of print' (p. 288). The aesthetics remained 'flamboyant' and rooted in local calligraphic traditions despite the modern economy of the book market (p. 288).

Original Recipe Text

Qur'ans were originally penned by calligraphers (primarily in Kano) and then reproduced using offset lithography starting in the 1950s (p. 288). This allowed the 'age of manuscript to continue under the guise of print' (p. 288). The aesthetics remained 'flamboyant' and rooted in local calligraphic traditions despite the modern economy of the book market (p. 288).

Evidence

"The script family of the Lake Chad region displayed by the Nigerian Qur’ans should thus, in our opinion, be labelled as ‘Central Sudanic’, and its two main stylistic variants respectively as the barnāwī and kanawī styles."

Remarks

The study identifies regional sub-types of the Arabic script used in Northern Nigerian manuscripts, specifically the 'Central Sudanic' group (p. 291). Two stylistic variants are noted: the more conservative barnāwī style (Borno) and the more innovative kanawī style (Kano) (p. 291). These scripts are argued to be relatively independent of the rest of the Sahel region (p. 291).

Scientific Analysis
Analytical Techniques
palaeographic study
calligraphic analysis
Certainty Level
Inferred
Instrumentally Verified
Not Verified
Metadata
Material Type
paper
Paper Typeoffset lithographic editions
RegionNigeria
Approx. Year1950
Source Information
AuthorBrigaglia, Andrea. '‘Printed Manuscripts’: Tradition and Innovation in Twentieth-Century Nigerian Qur’anic Printing'.
CollectionKano
Language
N/A
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