lampblack / starchy ink

Pakistan
8th Century
Source: Ghulam Abbas, "A Comparative Study of Two Different Artistic Traditions: The Art of Calligraphy in China and Pakistan", Advances and Issues in Social Sciences (AISS), Vol. I, Issue II, pp. 17-33, 2025.
Recipe Details

Ingredients

lampblack, wheat starch, gallnut water, alum

Preparation Steps

Traditionally black ink is obtained from the lampblack after a lengthy procedure (p. 26). According to another recipe, starchy ink was prepared by baking wheat starch into a copper pot. When starch turned into black, it was mixed with gallnut water and alum and then was boiled to prepare finally (p. 26, citing Rahman 1979).

Original Recipe Text

Traditionally black ink is obtained from the lampblack after a lengthy procedure (p. 26). According to another recipe, starchy ink was prepared by baking wheat starch into a copper pot. When starch turned into black, it was mixed with gallnut water and alum and then was boiled to prepare finally (p. 26, citing Rahman 1979).

Evidence

"Traditionally black ink is obtained from the lampblack after a lengthy procedure. According to another recipe, starchy ink was prepared by baking wheat starch into a copper pot."

Remarks

In Islamic calligraphy, usually the ink (or the text) is simply black without any tonal difference (p. 28). The ink is kept in a dawat (inkpot), made of glass, porcelain or metal. Some undressed silk fibers or a piece of rag or soft sponge, sufficiently large to absorb nearly all ink, should be placed in the inkpot to prevent clots and damage to the qalam (p. 26).

Scientific Analysis
Certainty Level
Inferred
Instrumentally Verified
Not Verified
Metadata
Material Type
ink
ColorBlack
RegionPakistan
Approx. Year750
Source Information
AuthorGhulam Abbas, "A Comparative Study of Two Different Artistic Traditions: The Art of Calligraphy in China and Pakistan", Advances and Issues in Social Sciences
CollectionUnknown
Language
N/A
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