natural ultramarine blue
Spain
15th Century
Source: Restaurator, 2008, 76–106
Recipe Details
Ingredients
lapis lazuli, smalt, azurite, realgar
Preparation Steps
Bright blue ink based on lapis lazuli and one part enamel (smalt) according to the treatise of Umdat al-kuttab (p. 94). Azurite was used with a copper salt base instead of iron sulphate (p. 95).
Original Recipe Text
Bright blue ink based on lapis lazuli and one part enamel (smalt) according to the treatise of Umdat al-kuttab (p. 94). Azurite was used with a copper salt base instead of iron sulphate (p. 95).
Evidence
"Blue inks: two kinds of blue ink have been identifi ed with a common pigment on both occasions, namely natural ultramarine blue, a silicate of variable composition"
Remarks
Lapis lazuli originated from Afghanistan and was frequently used in Arabic art due to healthy commerce (p. 93). In book 10, smalt (cobalt glass) and azurite were also identified (p. 93-94). Realgar may have been added to obtain a violet hue (p. 93).
Scientific Analysis
Chemical CompositionNa8-10Al6Si6O24S2-4
Analytical Techniques
Raman
SEM/EDX
Certainty Level
Confirmed
Instrumentally Verified
Verified
Metadata
Material Type
pigment
ColorBlue
RegionSpain
Approx. Year1450
Source Information
AuthorRestaurator, 2008, 76–106
CollectionMs. 10, Ms. 19
Language
N/A
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