golden sparkles

Persia
16th Century
Source: Radan, V. (2002). News from Samarqand: Islamic Papermaking. George Mason University. HIST 490.
Recipe Details

Ingredients

starch paste, gold

Preparation Steps

Designers and calligraphers modified the surface of the paper after production. Sizing was done using starch paste, during which process the artisans would tint the paper to specific colors like peach or cream (p. 9, 12). Golden sparkles were added to the surface for decorative effect in royal manuscripts (p. 12).

Original Recipe Text

Designers and calligraphers modified the surface of the paper after production. Sizing was done using starch paste, during which process the artisans would tint the paper to specific colors like peach or cream (p. 9, 12). Golden sparkles were added to the surface for decorative effect in royal manuscripts (p. 12).

Evidence

"In that way designers of manuscripts could tint the paper to a desirable color, add golden sparkles or glue sheets together to achieve a desirable thickness of paper."

Remarks

Visual appearance was often prioritized over the technical quality of the base paper pulp. In the 13th century, Italian papermakers (such as those in Fabriano) learned to tint their snowy white paper to the creamy and peachy colors preferred by Islamic calligraphers to capture the Mediterranean market (p. 9). Decorators in workshops (kitabhana) would often glue multiple sheets together to achieve the thickness required for paintings (p. 12).

Scientific Analysis
Certainty Level
Inferred
Instrumentally Verified
Not Verified
Metadata
Material Type
pigment
BinderStarch
Colorcreamy and peachy colors
RegionPersia
Approx. Year1550
Source Information
AuthorRadan, V.
CollectionPersian plateau
Language
N/A
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