Gold leaf, vibrant colors, and precious materials like lapis lazuli and silver
Arabia
7th Century
Source: Salman Faris TC (2024) “Holy Quranic Manuscripts: Examining Historical Variants and Transmission Methods”, al-Afkar, Journal For Islamic Studies, 7(1), pp. 1163–1177.
Recipe Details
Ingredients
gold leaf, lapis lazuli, silver
Preparation Steps
Pigments and precious materials were applied through the skillful application of calligraphy and ornamentation. Ornamentation included illuminated borders, floral motifs, and geometric patterns (p. 1169). Gold leaf and silver were used to embellish margins and the beginning and end of chapters, enhancing the visual appeal of the scripture (p. 1169). The use of lapis lazuli contributed to the 'vibrant colors' found in high-status manuscripts intended for mosques, madrasas, and private collections (p. 1169).
Original Recipe Text
Pigments and precious materials were applied through the skillful application of calligraphy and ornamentation. Ornamentation included illuminated borders, floral motifs, and geometric patterns (p. 1169). Gold leaf and silver were used to embellish margins and the beginning and end of chapters, enhancing the visual appeal of the scripture (p. 1169). The use of lapis lazuli contributed to the 'vibrant colors' found in high-status manuscripts intended for mosques, madrasas, and private collections (p. 1169).
Evidence
"Gold leaf, vibrant colors, and precious materials like lapis lazuli and silver were used to embellish the pages, elevating the manuscript from a mere written text to a masterpiece of artistic expression."
Remarks
The study describes these manuscripts as works of art where ornamentation serves to emphasize the reverence placed on the Quranic text (p. 1172). Elaborate designs and meticulous attention to detail served as a means to engage the reader in a profound spiritual experience (p. 1172). The interplay between religion, art, and society is visible in the choice of expensive materials like lapis lazuli and gold, which indicated the status and patronage of the manuscripts (p. 1174).
Scientific Analysis
Analytical Techniques
Codicology
Paleography
Certainty Level
Inferred
Instrumentally Verified
Not Verified
Metadata
Material Type
pigment
ColorSilver
RegionArabia
Approx. Year650
Source Information
AuthorSalman Faris TC
CollectionIslamic empire
Language
N/A
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