ink
Turkey
21th Century
Source: Simonson, Hannah Lise. "What does Islamic Art Mean for Islam? An examination of word/image in the calligraphic works of Nja Mahdaoui, Mohamed Zakariya, and Kamal Boullata." B.A. Thesis, Reed College, 2011.
Recipe Details
Ingredients
ink
Preparation Steps
The knowledge of ink preparation is described as part of a 'master-disciple lineage' (p. 17). This includes 'methods of preparing tools and materials' passed from a master calligrapher in Istanbul to Zakariya (p. 17).
Original Recipe Text
The knowledge of ink preparation is described as part of a 'master-disciple lineage' (p. 17). This includes 'methods of preparing tools and materials' passed from a master calligrapher in Istanbul to Zakariya (p. 17).
Evidence
"He Was NOt Tall: Hilye in Black and Yellow, talik and celi talik scripts, ink on paper, 33.5 x 21.75 in, 2005"
Remarks
Zakariya is described as a 'traditionalist' who uses calligraphy as a ritual practice (p. 15, 17). His work 'He Was Not Tall' is a Hilye, a genre that describes the physical and moral qualities of the Prophet Muhammad (p. 11, 16).
Scientific Analysis
Certainty Level
Inferred
Instrumentally Verified
Not Verified
Metadata
Material Type
ink
Paper Typepaper
ColorYellow
RegionTurkey
Approx. Year2050
Source Information
AuthorSimonson, Hannah Lise. "What does Islamic Art Mean for Islam? An examination of word/image in the calligraphic works of Nja Mahdaoui, Mohamed Zakariya, and Kamal Boullata." B.A. Thesis, Reed College, 2011.
CollectionIstanbul
Language
N/A
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