gold leaf
Africa
9th Century
Source: Nancy K. Turner, "Surface Effect and Substance," in Surface Effect and Substance (p. 71-90).
Recipe Details
Ingredients
gold leaf
Preparation Steps
The letterforms were constructed by cutting gold leaf into specific shapes and laying them onto a flat, colored ground layer (p. 77). This method differs from liquid chrysography where gold powder is applied as an ink. The pieces of gold leaf were laid edge-to-edge or on a specific ground layer to form Kufic characters (p. 77, 78).
Original Recipe Text
The letterforms were constructed by cutting gold leaf into specific shapes and laying them onto a flat, colored ground layer (p. 77). This method differs from liquid chrysography where gold powder is applied as an ink. The pieces of gold leaf were laid edge-to-edge or on a specific ground layer to form Kufic characters (p. 77, 78).
Evidence
"Letterforms in the Getty Qur’an leaves were constructed from carefully cut pieces of gold leaf laid onto a pale orange ground (found by XRF to contain an iron oxide) and outlined with an iron-gall ink"
Remarks
This example of Kufic chrysography from a ninth-century fragment (83.MM.118) demonstrates a high level of material consciousness. The technique of cutting gold leaf to shape, rather than writing with liquid gold ink, allowed for a distinct surface effect that minimized the visibility of metallic grains (p. 77, 79).
Scientific Analysis
Chemical CompositionAu
Analytical Techniques
XRF
Certainty Level
Confirmed
Instrumentally Verified
Not Verified
Metadata
Material Type
pigment
ColorGold
RegionAfrica
Approx. Year850
Source Information
AuthorNancy K. Turner, "Surface Effect and Substance," in Surface Effect and Substance
CollectionNorth Africa (Tunisia?)
Language
N/A
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