black metallic inks
Egypt
1th Century
Source: THOMAS CHRISTIANSEN, MANUFACTURE OF BLACK INK IN THE ANCIENT MEDITERRANEAN, pp. 186-191.
Recipe Details
Ingredients
metallic components, vitriols, charcoal, soot of burned botanicals
Preparation Steps
The inks appear to be manufactured using a complex mixture of many different metallic components including copper, lead, and zinc traces (p. 186). A possible manufacturing method involves the preparation of impure vitriols mixed with the charcoal or soot of burned botanicals. Alternatively, the black pigment may have been obtained as a by-product from workshops involved in metalworking or the manipulation of vitreous substances, explaining the metallic presence (p. 186). The author suggests that carbonates might have been used in place of sulphates, as evidenced by the lack of sulfur, or that sulfur-containing compounds may have off-gassed over time (p. 186).
Original Recipe Text
The inks appear to be manufactured using a complex mixture of many different metallic components including copper, lead, and zinc traces (p. 186). A possible manufacturing method involves the preparation of impure vitriols mixed with the charcoal or soot of burned botanicals. Alternatively, the black pigment may have been obtained as a by-product from workshops involved in metalworking or the manipulation of vitreous substances, explaining the metallic presence (p. 186). The author suggests that carbonates might have been used in place of sulphates, as evidenced by the lack of sulfur, or that sulfur-containing compounds may have off-gassed over time (p. 186).
Evidence
"Another finding was that unlike the iron gall ink from the Middle Ages and the pre-Modern era, which shows a substantial amount of Fe and sulphur (S), these ink samples had a marked lack of S. There was also a predominance of Cu in the samples as opposed to Fe, while the relation between the two elements is normally vice versa."
Remarks
Analysis shows a distinct lack of sulfur compared to later medieval iron gall inks. The predominance of copper over iron suggests a manufacturing tradition linked to glassmaking factories or metallurgical by-products rather than the intentional creation of ferrous sulfate mixtures (p. 186). The study suggests these should perhaps be reclassified as 'mixed inks' rather than iron gall inks (p. 186).
Scientific Analysis
Chemical CompositionCu, Pb, Zn, Fe, lack of S
Analytical Techniques
PIXE
Certainty Level
Probable
Instrumentally Verified
Verified
Metadata
Material Type
ink
Paper Typepapyri
ColorBlack
RegionEgypt
Approx. Year50
Source Information
AuthorTHOMAS CHRISTIANSEN, MANUFACTURE OF BLACK INK IN THE ANCIENT MEDITERRANEAN, pp. 186-191.
CollectionLouvre
Language
N/A
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