lampblack
Shiraz
15th Century
Source: Nancy Purinton and Mark Watters, "A Study of the Materials Used by Medieval Persian Painters", Journal of the American Institute for Conservation, Autumn, 1991, Vol. 30, No. 2, pp. 125-144.
Recipe Details
Ingredients
lampblack, gum
Preparation Steps
The lampblack was produced by collecting the soot deposited on an inverted earthenware bowl from a lamp burning hemp oil. Baking the collected soot in the center of a dough ball extracted oil residues and resulted in a pigment consisting largely of amorphous carbon, a deep black powder (p. 135). This was then combined with a gum in addition to other ingredients to prepare the black ink (p. 135).
Original Recipe Text
The lampblack was produced by collecting the soot deposited on an inverted earthenware bowl from a lamp burning hemp oil. Baking the collected soot in the center of a dough ball extracted oil residues and resulted in a pigment consisting largely of amorphous carbon, a deep black powder (p. 135). This was then combined with a gum in addition to other ingredients to prepare the black ink (p. 135).
Evidence
"the ink sample examined was lampblack."
Remarks
Black pigments are discussed in Section 3.2.5. Although charcoal was the predominant black pigment identified in paint layers for underdrawings, the ink sample itself was confirmed as lampblack. The particles resulting from lampblack are tiny and round, whereas those from ground charcoal are larger and more fractured (p. 135-136).
Scientific Analysis
Chemical CompositionC
Analytical Techniques
polarizing light microscopy
Certainty Level
Confirmed
Instrumentally Verified
Verified
Metadata
Material Type
ink
Bindergum
Paper Typethin, fine paper
ColorBlack
RegionShiraz
Approx. Year1450
Source Information
AuthorNancy Purinton and Mark Watters, "A Study of the Materials Used by Medieval Persian Painters", Journal of the American Institute for Conservation, Autumn, 1991, Vol. 30, No. 2, pp. 125-144.
CollectionLACMA M.73.5.410
Language
N/A
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