Color Symbolism in Islamic Book Paintings

Evidence

"Figures 4.2-5 depict the king as well as the Indian princess wearing black robes. The prevalent color in the pavilion decoration as depicted in the three paintings is also black."

Remarks

Black is utilized consistently across illustrated manuscripts to signify repentance, punishment, and darkness. In the context of the 'black pavilion' from Nizami’s Haft Paykar (Figures 4.2-5), both the king and the Indian princess are depicted in black robes, matching the pavilion's decorative scheme. This color choice metaphorically represents remorse and the soul's return to a righteous path after following base desires (p. 60, 62).